“Ephemeralia” at Black Heart Magazine

blackheart


Got a new (flash fiction) short story for you, called “Ephemeralia,” which Black Heart Magazine deemed fit for publication. Stick around and read some other tales of literary rebellion while you’re there. [Note: the site is assuredly not porn, though it may get filtered as NSFW.]

I used to get ethereal and ephemeral mixed up. Both are transitory descriptions: things that don’t last. The title came first, meant to be a play on memorabilia (or maybe paraphernalia), which conjured an image of a public figure selling off bits of his life in the classifieds. But nothing tangible, nothing buyers could resell or even prove, only experiences. That same day, I happened to find myself buried hours-deep in a web site called Bill Murray Stories, wherein fans submit tales of bizarre encounters with the actor. Combine an assholic actor with the quote below, motivate him with terminal illness, and one’s legacy becomes invaluable.

“For what is a man profit, if he shall gain the whole world, and lose his own soul?
Or what shall a man give in exchange for his own soul?” ~Matthew 16:25

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Gas Up the Stair Car

I was gonna do this whole post about evolving media distribution, and how I dig the new Netflix model because it allows me to shotgun series the way I prefer. But I already pretty much covered that with my House of Cards write-up over at ManArchy. And really, I’m such an Arrested Development fanboy that this needs no introduction. Pure excitement.

Tobias Fünke clip courtesy of Insert Me Anywhere.

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AWP 2013 — Boston

Usually, this is where I would regale you with tales of torporific panels led by respected authors, new writerly techniques learned, rockstar-studded reading events, and sweaty hands shook. This recap will contain none of those. Okay, very few of those.

AWP is a yearly conference for writers, publishers, and writing programs. I’ve written about it before. Ten thousand literati descend upon some unsuspecting city, touting their wares and knit caps (my inbound flight featured a redolence of patchouli and a dearth of cosmetics), hungry to discover forbidden knowledge that’ll land them an agent or faculty position. Difference being, this year, I—and most of my peers—forewent the conference proper. We were there just for the hang, having burned ourselves out on its formalities in years past. Lodging next to the conference, we benefited from a contact buzz, and planned for many off-site hybrid events. Instead, we mostly kept our own company, while inviting along a few of our favorite, more-dedicated attendees.

When I say “we,” I refer to the ManArchy magazine staff. We come from various factions and intersecting circles, but ManArchy’s the one that unites most of us these days. That group includes folks from Booked. podcast, Perfect Edge Books, and LitReactor, among many. We enjoy one another’s company in more than just a professional capacity; we’re those people you find at the party congregated out on the patio deciding the fates of nations. AWP’s social opportunities were more appealing to us than its academic or creative ones. At least this year.

One official event did manage to transpire on our watch, which was a joint reading by authors from Perfect Edge and Lazy Fascist presses, held at an upscale poster gallery wary of such a hedonistic presence. I was enlisted as a last-minute emcee, and Caleb J Ross live-streamed its video to shut-ins worldwide. Booked’s audio recordings will be shared during their next few episodes. UPDATE: Part One | Part Two

The only other official haps was the free-to-the-public bookfair, whose entirety I walked while stopping only at a handful of tables to buy from and commiserate with such authors as Rob Roberge, Matt Bell, and Cameron Pierce. After all that indoor lone-wolf hiking (my peeps bailed early), I got lost for an extra two miles of downtown wandering.

I always joke that I’m excited to try chain restaurants in other time zones, and the area near the Prudential Center provided plenty such opportunities, whether it was The Cheesecake Factory, Coldstone Creamery, Five Napkin Burger, or Pinkberry. It felt like home. (Where’s that damned sarcasm font?) Our first night in town, we proceeded to get wicked shit-hammered in a tavern called Bukowski’s, but much of the off hours were spent lazing and blazing (okay, maybe hazing) in a hotel suite we rented to serve as the group’s social hub, often punctuated by the shushings that failed to repel the noise police before their multiple interventions. Also, the two feet of snow I thought I’d left at home in Kansas City followed me to Boston, making for some nasty excursions, limited as they were.

Highlight of the trip? The collected tweets of so many of our random utterances. I also got to meet people from as far away as The Netherlands, for better or worse.

Some quality photos below, courtesy of Lindielu, and you can also see some cellphone snaps in my Facebook gallery.

with Pela Viawith Joshua Alan Doetsch, Roger Sarao, Livius Nedin, Sean Fergusonwith Kassten Alonso and Monica Drakeberobed with Roger Sarao and Livius NedinThe ladies of ManArchy: Chelsea Kyle, Pela Via, Misty Bennett Phil Jourdan gets 'Bookedended' by Robb Olson and Livius Nedin of Booked podcastCameron Pierce and Kirsten Alene (Pierce)Misty Bennett and Edward J RathkeEdward J Rathke, Mlaz Corbier, Michael Paul GonzalezMichael J Seidlinger, Garrett Cook, Kirsten Alene, Ben Loory, and othersCaleb J Ross gets a passive lapdance from Edward j RathkePhil Jourdan and Michael J SeidlingerPela Via, Misty Bennett, Robb Olson, Chelsea KyleMichael Paul Gonzalez readswith Linda Feltner (thanks for the pics!), Roger Sarao, Sean FergusonGuy Intoci and Morris CollinsJoshua Alan DoetschMisty BennettRobb Olson and Misty Bennett express their true feelings for Caleb J RossCaleb J RossSean Ferguson and Livius NedinLivius Nedin and Mlaz CorbierMichael J Seidlinger

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“Speed Ramp” story at Word Riot

The February 2013 issue of Word Riot features my flash-fiction* story “Speed Ramp,” about a homeless Indian boy with a flanging disorder, wherein his perception of time speeds and slows. It was partly inspired by the music video for “Guttersnipe” by Bhi Bhiman (below), which you may as well peep first—don’t worry, no spoilers there. Also, because it’s how they roll at Word Riot, you can listen to me read the story to you as well, for a multi-sensory experience.

Coincidentally, the last piece I had published online also contained Indian themes and was flash-length. Hmm …

In other news, The Booked. Anthology has announced their complete lineup (including me). Some heavy hitters in there, for sure. More on that nearer its publication date. And as always, you can find all my published short stories (and some exclusives) linked here.

* Flash fictions are also known as short-shorts, are under 1000 words, and often eschew traditional story structure, being more of a scene or vignette as opposed a complete story arc. They’re great for reading on the john.

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“The Sacred and Profane”

I wouldn’t usually devote an entire post to one measly little song, but I’m inordinately proud of this one. “The Sacred and Profane” dates back 10 years, when I originally one-man-banded it in a metallic style. Always dug it, but having by-necessity performed its vocal as well, that left something to be desired, tainting the whole thing. When Shannon and I started Winebox a few years back, it remained a contender for our repertoire, but needed a more organic treatment. We recorded a new version, but it leaned too far the opposite direction, too thin.

Recently, I re-vamped this beast with a gnarly, Zeppelin-esque guitar tone, layered in some organ for color, beefed up the mix, and now share the definitive version with you. It’s my first song where I feel like all the elements really gelled equally, from the lyrics and melody to the performance and production.

If that track does it for you, please check out other Winebox jams (originals and covers) via BandPage, ReverbNation, or SoundCloud, share them, and be sure to Like us on Facebook for updates.

Also visit my Music page right here on this site to listen and learn more about my other projects, or even take a studio tour.

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Leah Rhyne interview

Leah Rhyne, author of the Undead America series, lowered her Louisville Slugger and caught her breath long enough to ask me some writerly questions over at her site (apologies if you were expecting reversed roles; I never know how to word these things). We gnawed on such fleshy topics as sadistic plotting, choosing your own adventures, and nonautobiography, among others. Get clicky and sate your appetite for brains. Then be sure to check out her latest e-book, Zombie Days, Campfire Nights. Of course, if you haven’t read my Flashover yet, stop whatever you’re doing and remedy that, for Christ’s sake.

I first crossed paths with Leah in the LitReactor community, where we’re both competing in a bracketed short-fiction contest over the course of several months. Should we happen to meet in the final match, we’ll suspend our friendly façade and the gloves will come off for the duration. It will end in tears—though whose, I cannot yet say.

Author Interview: Gordon Highland

Other recent interviews:
Carbon-Based Lifeform Blues
Curiouser and Curiouser
Books and Booze

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“Shivaree” story at ManArchy

Just in time for Halloween, ManArchy staff authors contributed a week’s worth of quick scary/spooky stories to set the mood and prickle your nape hairs in this witching season. Mine’s called “Shivaree” and warns about getting nosy with some noisy neighbors.

Look for other flash-length frights from Richard Thomas, Chris Deal, Bob Pastorella, Michael Paul Gonzalez, Caleb J Ross, Craig Wallwork, and Put Pujolas.

This web zine should top your bookmarks list, with several new weekly articles sure to entertain men and women alike, so please share/Like the ones you dig to help us spread the word. And while you’re there, peep my ongoing Telecine film/TV column.

As always, you can find all my published short stories (and some exclusives) linked here.

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OW III interview

The former Outsider Writers Collective recently torched their old site and, rising from its ashes, re-dubbed themselves OW III. [EDIT: Since posting this, they’ve taken the name Carbon-Based Lifeform Blues.] Long ago, they were kind enough to take a chance on this tyro scribe, reviewing my then-unsung debut novel, Major Inversions. Recently, whilst surveying my vast fictional empire and basking in its accumulated golden chattel of the intervening years, guilt overcame me, reminding me of the importance in giving back. Thus, I granted them an audience in the form of a (semi-exclusive, many holes barred, legally-vetted) interview: an “after photo” of sorts.

Pela Via, renowned editor, leader of men, and all-around swell gal, handles the interrogation. Through my confessions, you’ll learn about evangelical terrorism, assholic TSA screeners, and my description of a sexual encounter with Minka Kelly (total cochlea tease).

“Music to Def Ears”: An Interview with Flashover Author Gordon Highland

Other recent interviews:  Curiouser and Curiouser and Books and Booze

Special thanks to OW III’s “expert amateur” Caleb J Ross.

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Noir at the Bar Vol. 2

My short story, “Untitled Stephenie Meyer Novel” (originally published in the Oprah Read This project) has found a new home in Noir at the Bar Vol. 2, an anthology available in paperback exclusively from Subterranean Books. “Stephenie” is a newly-revised version of my disturbing little tale about the aphrodisiac qualities of unreleased Twilight material in the hands of the opportunistic.

The first Noir at the Bar volume was one of the year’s best-selling books in St. Louis, as well as a Spinetingler award-winner for best cover, so when I was invited to take part in the live-reading series of its namesake last winter, I of course hopped the first thing smokin’ and doused myself in alcohol for the occasion. Here’s a recap of the event.

Volume Two, once again collected and edited by noir czars Jedidiah Ayres (A F*ckload of Shorts) and Scott Phillips (The Ice Harvest) features well-known crime/noir authors as well as emerging ones, none of whom should be entrusted with your liquor cabinet or spouse’s company or firearms. Which also means I’m humbled to share pages with them. In addition to selections from Ayres, Phillips, and myself, the other contributors include:

Duane Swierczynski
John Rector
Benjamin Whitmer
Frank Bill
Hilary Davidson
Fred Venturini
Caleb J Ross
Jane Bradley
Les Edgerton
David James Keaton
John Hornor Jacobs
Robert J. Randisi & Christine Matthews
Jesus Angel Garcia
Matthew C. Funk
Cortright McMeel
Kevin Lynn Helmick
Mark W. Tiedemann
Nate Flexer
Glenn Gray
Matthew McBride
Aaron Michael Morales
Jason Makansi
Tim Lane
Nic Young
Sonia L. Coney
Erik Lundy
Jon McGoran

Booked podcast reviews the anthology in Episode 109. Also see their previous three episodes for interviews with the linked authors above.

As always, here’s where you can find all my published short stories.

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