Author Archives: Gordon

About Gordon

Gordon Highland is a video producer/director in the Kansas City area who also makes music and writes fiction.

Going on Location

Talking writing here. Location is not simply what “frames the picture.” As the scribe of your story, if you consider yourself its cinematographer or cameraman and the reader as projectionist, then location is your film stock. (Yeah, so it’s also … Continue reading

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Open Up (Say “Ahh”)

Someone told me I should shoot all my video with the iris wide open, but I can’t remember why, and it doesn’t really make sense to me. Shed some light? This person was probably assuming you were going for that … Continue reading

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1st and Ten

We’ve all seen the yellow/blue lines in football broadcasts that indicate the scrimmage and line to gain. Ever wonder how it works? As you probably guessed, the line itself is superimposed via chromakey, so anything green- or dirt-colored gets replaced, … Continue reading

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Variax Verdict

you’ve mentioned playing a [Line6] variax on here before, and i was thinking about picking one up online (no music stores around here), but how’s it play? how well does it track notes? . . . any other gotchas? I … Continue reading

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Movies I’d Pay to See

In high-concept Hollywood, idea is king. The single-sentence pitch. Here are a few of my aborted attempts at “star vehicles” for celebrities who could use a career-energizing role. Normally I don’t like to just give away my golden tickets for … Continue reading

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My Television Education

I like to think that all those years spent in front of the idiot box made me a better person. TV is a great way to learn about how the world works. Were it not for television, I would never … Continue reading

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Gain Staging

The audio levels on both the camera and the mixer looked good, but everything was distorted when we played it back. What the hell could it have been? There are many places where things could’ve gone wrong. That’s why it’s … Continue reading

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Literary Ventriloquism

so what’s your take on how to write good, engaging, and realistic dialogue? i’ve heard some writers say that you should never use “he saids” and “she saids”. other writers say you HAVE to identify who’s talking at least every … Continue reading

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Voice-Over and Over and Over

The narration track he gave me was pretty much unusable. A little noisy, there’s all kinds of mouth sounds, odd breaths, sloppy pronunciations . . . How can I salvage this? Well, this is why he’s in a booth and … Continue reading

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